Anders accepting the Adorno Prize, 1987 |
Günther
Anders
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Anders Page Introduction (back to top) No philosopher has concerned him- or herself with the nuclear age in all of its ramifications as has the late Günther Anders. A Jewish journalist and intellectual who fled Nazi Germany with his wife Hannah Arendt in 1933, Anders returned to Europe in 1950 to become one of the founders of the anti-nuclear movement there. In 1956 he published his magnum opus The Outdatedness of Humankind (my translation, Die Antiquiertheit des Menschen has not yet been translated into English), more than half of which is devoted to "The Bomb and the Roots of Our Blindness toward the Apocalypse." After participating in the "Fourth International Congress against A- and H-Bombs and for Disarmament" in Tokyo in 1958, Anders published his philosophically oriented personal journal as The Man on the Bridge: A Diary from Hiroshima and Nagasaki in 1959. Anders published his correspondence with Claude Eatherly, the US pilot who gave the drop command on the Hiroshima mission, in 1961 as Burning Conscience: The Case of the Hiroshima Pilot Claude Eatherly, told in his Letters to Günther Anders. It has been republished several times and translated into 18 languages. After that Anders' published several books of reflections on morality in the atomic age. There has been some criticism of Anders because he openly advocated violence to combat regimes that flagrantly disregard human rights. (See his 1987 texts, below) |
A personal note by Harold Marcuse, the author of this page (back to top) My grandfather Herbert Marcuse (my website about Herbert) and Anders both studied with Martin Heidegger in Freiburg in the late 1920s. As Jews, both fled from Germany to the US in the 1930s. Anders lived in my grandparents' home in the US for a time in the early 1940s. While doing research on the immediate post-1945 period I came across Anders' published diaries during those years (Die Schrift an der Wand, published 1966), which I found fascinating. After learning about Anders' connection with my family I corresponded with him in the early 1980s, while I was living in Germany. Since I had been too young to have had much of a political relationship with my grandfather, Anders at one point jokingly said that he was in a way my Ersatz-Grossvater (surrogate grandfather). (See this July 27, 1988 letter from Anders responding to the birth announcement of my son in 1988.) I have heard that Anders may have been somewhat envious of the fame my grandfather's One-Dimensional Man (1964) had brought Herbert Marcuse during the heady days of the student movement. Anders told me that much of what Herbert wrote was contained in his own Antiquiertheit (1956)[Christian Fuchs' essay compares their work], but Anders was barely known by the broader public until the 1980s. In any case, when I went to Vienna in April 1983, I visited Anders at his flat in the Lackierergasse. He was very cordial, and may have "buried the hatchet" (real or imagined) with my then deceased grandfather by that time. (Compare Nathan Stolzfus' description of his visit with Anders in 1986.) In April 1982 Anders inscribed volume I of his Ketzereien for my parents with the words "für meine drei beinahe-Kinder" ('for my three nearly-children'--I have no idea why three); in July 1983 he wrote into my copy of Die atomare Drohung "in durch die Generationen unerschütterlich reichender Freundschaft." ('in unshakeable friendship that reaches across generations')[click on thumbnail at right to see a scan of the dedication]. In the 1980s I was a U.S. student working towards an M.A. in History of Art in Germany. In 1992, after finishing my dissertation about the post-1945 history of Dachau, I became a professor of German history at UC Santa Barbara. In the late 1990s Routledge was looking for someone to write an article about Anders for its Encyclopedia of Contemporary German Culture (1999, amazon.com page), and I volunteered. My unedited draft of encyclopedia entry (which had to be shortened for publication) forms the core of the biographical text below. In those early days of the web there was almost nothing about Anders available on the internet, so I created this page, and have been updating it at irregular intervals since. |
Günther
Anders (12 July 1902,
Breslau-17 December 1992, Vienna) print
version (back to top) best known as a philosopher and essayist of the anti-nuclear movement
Anders, born Günther Stern, attained notoriety since the early 1960s as an activist and philosopher of the antinuclear movement. An assimilated German Jew, he studied under Martin Heidegger and Edmund Husserl, completing his dissertation in 1923. After Theodor Adorno at the University of Frankfurt rejected his habilitation, he began work as a cultural critic. When a Berlin editor with too many writers named Stern on his staff suggested he name himself "something different," he responded "then call me 'different'" ("anders"). The name is characteristic of Anders' unsparing bluntness. He emigrated to Paris in 1933 and the United States in 1936, divorcing Hannah Arendt, who found his pessimism "hard to bear," as he later put it. [They were married from 1929 to 1937. The photo is from the Hannah Arendt Trust, and is displayed on the Library of Congress website.][An aside on Arendt, whose 1951 book The Origins of Totalitarianism, and coining of the phrase "the banality of evil" in her 1962 New Yorker reports on the Eichmann trial catapulted her to lasting name recognition: Ron Rosenbaum has this interesting analysis of her closeness to Nazi ideologues like Heidegger: "The Evil of Banality" (Slate, Oct. 30, 2009)] In the United States Anders worked at menial jobs, but also wrote for the German-language newspaper Der Aufbau, and later lectured at the New School for Social Research in New York City. His first book of philosophical reflexions, Die Schrift an der Wand: Tagebücher 1941-1966 (The Writing on the Wall: Diaries 1941-1966) (1967), begins with his musings as a laborer in a Hollywood warehouse of historical costumes. Auschwitz and Hiroshima mark turning points in his consciousness. He returned to Europe in 1950 and began work on Die Antiquiertheit des Menschen (The Outdatedness of Human Beings, 1956). In addition to analyzing human feelings of inadequacy in comparison with machines, and to settling scores philosophically with Heidegger, Anders lays out the principles of 'blindness to the apocalypse,' the focus of his later work. Pressured to categorize his ideas, he later coined the term Diskrepanzphilosophie (philosophy of discrepancy) to describe his focus on the increasing divergence between what has become technically feasible (e.g. the nuclear holocaust of the entire globe), and what a human mind is capable of imagining. With Robert Jungk, Anders co-founded the anti-nuclear movement in 1954. He published his philosophical diary of an international conference in Hiroshima (Der Mann auf der Brücke, The Mann on the Bridge, 1959) and his correspondence with a pilot in the Hiroshima squadron (Burning Conscience, 1962). His politically acerbic books from the 1960s include an open letter to the son of Adolf Eichmann, a speech about the victims of the three world wars, and a primer of American warspeak in Vietnam. In 1967 he served as a juror on the Russell tribunal publicizing atrocities in Vietnam. Anders' oeuvre encompasses numerous literary and philosophical works, including books on Kafka (1951, English 1960) and Brecht (1962), essays on the atomic age (Endzeit und Zeitenende, Die atomare Drohung, 1972, 1981), reflections from his diaries (among others Ketzereien, Heresies, 1982), and a second volume of Die Antiquiertheit des Menschen (1980). From 1945 to 1955 Anders was married to the Austrian writer Elizabeth Freundlich; in 1957 he married the Jewish-American pianist Charlotte Lois Zelka. (Charlotte died in 2001; see this page of correspondence with her sister Betty and colleague Al R. Rice: link.) Anders won numerous awards and honors for his work from 1936 (Novella Prize of the Emigration, for "The Hunger March") to 1978 (Literature Prize of the Bavarian Academy of Fine Arts), to 1979 (Austrian State Prize for Cultural Writing) to 1983 (Adorno Prize of the City of Frankfurt) to 1992 (Sigmund-Freud-Prize); others he rejected for political reasons. His unsparingly critical pessimism may explain why his pathbreaking works have seldom sparked sustained public discussion, with the major exception of his Theses on Violence (scans on this site) during the peace movement of the 1980s. The renaissance of interest in his works in the 1990s indicates that his uncompromising moralism may have been ahead of its time. |
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